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United Artists Theatre Circuit, Inc. v. Township of Warrington

U.S. Court of Appeals, Third Circuit


February 25, 2003

UNITED ARTISTS THEATRE CIRCUIT, INC.
v.
THE TOWNSHIP OF WARRINGTON, PA; GERALD B. ANDERSON; JOSEPH E. LAVIN; DOUGLAS E. SKINNER; WAYNE S. BULLOCK; KATHERINE M. WATSON GERALD B. ANDERSON; JOSEPH E. LAVIN; DOUGLAS E. SKINNER; WAYNE S. BULLOCK; KATHERINE M. WATSON, APPELLANTS

Present: Becker, Chief Judge, Sloviter, Scirica, Nygaard, Alito, Roth, McKEE, Rendell, Barry, Ambro, Fuentes, Smith and LOURIE,*fn1 Circuit Judges, and COWEN,*fn2 Senior Circuit Judge

The opinion of the court was delivered by: Anthony J. Scirica Circuit Judge

PRECEDENTIAL

SUR PETITION FOR REHEARING

The petition for rehearing filed by appellee in the above entitled case having been submitted to the judges who participated in the decision of the court and to all the other available circuit judges of the circuit in regular active service, and no judge who concurred in the decision having asked for rehearing, and a majority of the circuit judges of the circuit in regular active service not having voted for rehearing by the court en banc, the petition for rehearing is denied. Judge Nygaard would have granted rehearing en banc. Judge Cowen would have granted panel rehearing.

OPINION SUR DENIAL OF REHEARING

NYGAARD, Circuit Judge:

I agree with Judge Cowen's persuasive dissent and would grant United Artists' petition for rehearing. I write separately to emphasize the inherent problems with reading Sacramento v. Lewis as creating a blanket "shocks the conscience" standard for all substantive due process claims.

Sacramento v. Lewis restated the long held precept that only the most egregious official conduct is unconstitutionally arbitrary. 523 U.S. 833, 846 (1998). In addressing the standard for a substantive due process claim, the Court noted that it was "behavior at the [extreme] end of the culpability spectrum that would most probably support a substantive due process claim." Id. at 849. The Court considered the deliberate indifference standard as it applied to substantive due process cases and stated that "[d]eliberate indifference that shocks in one environment may not be so patently egregious in another" and that the Constitution demanded an analysis of the circumstances of each case to determine what is conscience-shocking. Id. at 850. Specifically, in light of the high speed police chase in the case, the Court considered how the term "deliberate indifference" could be applied in a case where actual deliberation was not practical. Id. at 851 and n.11. We have correctly followed this logic and applied this analysis to all cases where state actors had to act with urgency. See e.g., Brown v. Commonwealth of Pennsylvania, 2003 U.S. App. LEXIS 953, *13-17 (3d Cir. 2003).

Therefore, in cases where the state actor acts with urgency -- where the state actor does not have time to "deliberate"--"shocks the conscience" is a fixed standard, and varying degrees of behavior in different contexts may rise to the conscience shocking level. In this way, the deliberate indifference test survives and may be conscience shocking in one circumstance, but not another.

However, by expanding "shocks the conscience" beyond those non-deliberative circumstances, the test no longer acts to aid the court in determining whether the potentially unconstitutional action of the state actor is excused. Instead, it raises the bar for plaintiffs to state a claim. This case is a perfect example. The District Court here held that there was enough evidence to allow a fact finder to conclude that the Board intentionally penalized the plaintiff because it refused to pay the "impact fee." "If proved the [District Court] believes the monetary motivation of the Board was improper and would constitute a violation of substantive due process." United Artists Theatre Circuit, Inc. v. Township of Warrington, 2003 U.S. App. LEXIS 515, * 8 (3d Cir. 2002) (quoting the District Court's August 15, 2001 order). As in the cases where the state actor must act with urgency, the ultimate question is whether the actor's behavior is egregious enough to constitute a due process violation. Those actions carried out with improper motive would be so egregious, so shocking as to violate the Constitution. See Sacramento, 523 U.S. at 849. "Conduct intended to injure in some way unjustifiable by any government interest is the sort of official action most likely to rise to the conscience-shocking level." Id. In this way, there is a distinction between a "shocks the conscience" test and the idea of crossing the threshold of egregiousness (i.e., reaching the conscience-shocking level).

"Shocks the conscience" is useful in due process cases where the actor cannot deliberate. In those situations, exigencies may excuse deliberate indifference. Land use decisions are not made in the heat of the moment without ability to deliberate. Instead, they are (or should be) deliberate decisions made after proper consideration. The appropriate standard, as repeatedly articulated before and after Lewis is "improper motive." See United Artists, 2003 U.S. App. LEXIS 515 at *18-19 (collecting cases); id. at *35-38 (same) (Cowen, J. dissenting); see also Sacramento, 523 U.S. at 849 ("Historically, this guarantee of due process has been applied to deliberate decisions of government officials to deprive a person of life, liberty, or property." (quoting with approval from Daniels v. Williams, 474 U.S. 327, 331 (1986) (emphasis in original)).

A ubiquitous "shocks the conscience" test will only create confusion among the district courts, lessen the protection that individuals have against arbitrary government action, and undercut due process. According to the Supreme Court, "after volumes spoken and written with a view to their exposition, the good sense of mankind has at last settled down to this: that [the principles of due process] were intended to secure the individual from the arbitrary exercise of the powers of government, unrestrained by the established principles of private right and distributive justice." Sacramento, 523 U.S. at 845 (quoting Hurtado v. California, 110 U.S. 516, 527 (1884)). Because we should leave settled our case law, both before and after Sacramento v. Lewis, and find that the "improper motive" test is the appropriate test here, I would grant United Artists' petition for en banc rehearing.


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